Harvey Pekar

American Splendor

September 6th, 2005

Watched American Splendor DVD.

My second viewing of the movie, I again loved how it mixed documentary interviews with acted scenes (the bulk of the movie), frames from Harvey Pekar's comics, on which the movie is based, the comics being based on his daily life. As with most second viewings, I noticed a little more, and this time had the ability to pause and read the comics that went by too fast the first time. I won't pretend to understand the graphic novel scene, only having flipped through a few and read through one, but I've liked what I've seen, particularly of the stuff that's a little more real than superhero or crime-fighting stuff.

Review of Best of American Splendor »

I found out about Harvey Pekar through the movie American Splendor too. Found out about this review, though, because he mentions the documentary I. Curmudgeon

Review: I, Curmudgeon

October 1st, 2004

Watched I, Curmudgeon at the Vancouver International Film Festival.

An excellent, if imperfect film—and intentionally imperfect, I believe, as we see shots of the director Alan Zweig setting up the camera and people in the top-left corner of the frame at different points. Not so much a documentary as a set of interviews with self-described negative people, people whom their friends would label curmudgeons. Zweig answered the question on everybody's mind after the show by saying that he did not put name labels on each of the interviewees, although they are named in the credits, because while some were famous, it was more important to show that they were people instead of famous people. I saw myself in a lot of those people, like Harvey Pekar, who said that the only time he enjoys life is when he's exhausted, because he's not nervous then (same here), and especially (my being a 26-year-old and all) the guy in his late twenties who remarked how fucked up it is that he didn't get laid in college (same here). I saw this film alone, despite asking publicly if anybody would have liked to join me. Not enough lead time, I was told by one, but even still, I made a small effort to do something with someone and nobody says they want to come do it with me. Bah humbug. I'm a 26-year-old grump, but this movie will hopefully make me reconsider the costs and the payoffs of being a grump.

I've written about this movie (or linked to quotes about it) a few times since seeing it:

Geeky, Antisocial Guys Mostly

February 22nd, 2004

Tom Mangan on American Splendor, the best movie of last year: “I have my own biases for watching the movie: I wondered if http://tommangan.net/archives/001128.html light on why people keep buying comic books after, say, age 12. The older I get the more I wonder why a small fraction of the population -- geeky, antisocial guys mostly -- never outgrows these things.”

Best of 2003

December 31st, 2003

An inexhaustive list of the good and the overrated.

Best Blogger: if you have a weblog, and you kept it updated throughout 2003, you are the blogger of the year. Seriously. This is still early days for blogging, and even if you started in 2003, you were doing what most people never heard of. It takes a lot of time and effort and, yes, courage, to do it consistently. Even if all you did was link to those stupid online quizzes, at least you put something out there.

Best Weblog: Yours. See above.

Best Album: this is the not unexpected choice—Dizzee Rascal's Boy In Da Corner was the album that changed the game. I stand by my prediction that heads ain't ready when it drops in the United States. Runner-up was Basement Jaxx's Kish Kash (they're the Timbaland of house; perhaps strangely, I didn't like the Dizzee Rascal track all that much). As for the albums I can't claim to have purchased (yet: seriously, RIAA, I'm gonna buy them, I swear!), the highlights were Prefuse 73's One Word Extinguisher (it took me a while to enjoy it, but it grew on me), The Postal Service's Give Up and Pete Rock's Lost & Found Hip Hop Underground Soul Classics (the beats are consistently good throughout, but still don't come close to "Take Your Time" from his 1998 album Soul Survivor). Christmas present album of the year is Icelandic hiphop group Forgotten Lore's Týndi Hlekkurinn, which also wins for creepiest use of a George W. Bush quote. (Thanks go out to my cousin Katrín.) Overrated was Outkast's Speakerboxxx/ The Love Below. That said, they're still the most innovative group in hiphop these days, Dizzee Rascal excepted.

Best Book: I didn't read a whole lot of books published in 2003—I'm two thirds the way through the excellent Empire: The Rise and Demise of the British World Order and the Lessons for Global Power by Niall Ferguson (the illustrations and emphasis on primary sources are worth the price of admission)—but the best book that I read during the year was far and away Soul Mountain by Gao Xingjian. Like how Dizzee Rascal changed how I listened to hiphop, Gao changed the way I read novels. There are quotes from it here, here and here. Of course, the quality of a translated book is, for those who don't read the language in which a novel was originally published, directly related to the quality of the translation. That choice may surprise those who think that I should have chosen What Our Mothers Didn't Tell Us: Why Happiness Eludes the Modern Woman by Danielle Crittenden [references] but, quite frankly, I got tired of repeating myself. So Soul Mountain it is. Overrated was Down and Out in the Magic Kingdom by Cory Doctorow.

Best Movie: American Splendor. I identified strongly with the Harvey Pekar of the first half of the movie, if not so much the second half. (Sometimes the best movies are the ones that tell something about us, whether to ourselves or to others.) I loved the what I call Harvey Pekar Moments, such as when Pekar is sitting in a diner waiting for his wife to return, and a thought bubble appears overhead saying “I'm desperately lonely and horny as hell.” [more here] Bend It Like Beckham was formulaic, but that doesn't mean it sucked. Indeed, it was rather funny. The movie-not-released-in-2003 that I enjoyed the most was Adaptation. It helps to have seen Being John Malkovich beforehand, but it's not required.

Article of the Year: far and away it was "Caring for Your Introvert" by Jonathan Rauch [my self-identification]. It's required reading for anybody seeking to understand the way and how I relate with people. Coming in a distant second was "Modern Flirting: Girls Find Old Ways Did Have Their Charms" by Laura Sessions Stepp, which, as I said, is like reading a certain book but condensed into 5 pages. Another quote appears here.

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