DJ Shadow

Three Concerts (And a Play!) In the Span of a Month

September 1st, 2006

In the span of about a month, I'll be attending a play and three concerts: DJ Shadow, Junior Boys, and TV on the Radio. Will I see you there?

It's too bad that the Junior Boys are playing at the Plaza Club, which has awful acoustics, at least when I saw Lyrics Born play there. They redeem themselves by printing, on the ticket, not only when the show starts (8:00 PM) but when it ends (10:30 PM). And this is on a Saturday.

Speaking of Lyrics Born, he'll be performing at Richard's on Richards on October 24th, which is when I'm flying in from Toronto. Or not, depending on a decision I have yet to make. If I don't attend, please, someone, go in my place: it's a great venue and if you're at all a fan of hiphop, he's one of the better live performers I've seen.

The three concerts I mentioned above? That doesn't include Iceland Airwaves.

Public Works is a production by DJ Shadow and Obey Productions, getting you 5 t-shirts, a mix-CD, a book and more »

Not sure how I feel about the violent and communistic imagery on a couple of the shirts, not to mention the $170 list price for only 450 sets.

Endtroducing

June 22nd, 2005

Received DJ Shadow's Endtroducing... (Deluxe Edition) double-CD in the mail.

Mutual Slump seems more subdued, and features the Star Wars related quote at the beginning instead of in the middle. (It's longer too. Woman: "Do you feel like Darth Vader?" Man: "Yes." Woman: [laughs] "Then I'm Princess Leia, five feet under.") It's weird hearing that and "Building Steam with a Grain of Salt" without the overdubs, because I kept expecting the scratches and vocal samples, like the quote about the music flowing through him (in BSWAGOS) and the Xanadu quote in "Mutual Slump". The alternate beats are far too shorts: they are rough cuts, but really great rough cuts. A note about this: I bought this online from djshadow.com, and even though I got a t-shirt and a poster and a sticker with it, $50 USD seems like a bit much, and that's not even considering I had to pay $12 Canadian for customs. That said, the remixes included are required for DJ Shadow completists, and the album contains much more detailed liner notes than the original. That said, I've been meaning to buy this, my favourite album of all time, again, because the copy I have has so many scratches from the hundreds of times I played it, combined with my customary mis-handling of CDs.

Excerpt from the DJ Shadow book coming out in September »

Interview of the Shadow talking about his first turntable and hearing Wynton Marsalis speak at his university.

Seattle Weekly: Music review of DJ Shadow's Entroducing... Deluxe Edition »

In which I find out there is a book coming out about the album's creation, which I have already mentally purchased.

Pitchfork give DJ Shadow's Endtroducing... [Deluxe Edition] a perfect 10 »

Not unusual for a 90's classic re-issue.

The Album Doesn't Celebrate Its Proper 10th Anniversary

May 31st, 2005

John Book, whom I've "known" for several years, beginning with the In/Flux mailing list, for fans of DJ Shadow, which initially dissected all of his creations to to list all the songs sampled. (There's a website that catalogs all of the songs that Shadow samples in his creations, but the URL changes from week to week. Contact me if you want to know where it currently is, as I know how to figure out what it is.) Since DJ Shadow's output was fairly limited, and still is, the mailing list talked about music in general, and it was through John Book that I discovered bands like Soulive and Ozomatli. John Book's weblog is required reading for those interested at all in hip-hop: he'd be the biggest consumer of music I've heard of (he regularly goes to thrift stores to buy old records), but he has also produced several albums as Crut.

Last night he published a review of Common's Be, a digital copy of which I purchased based on my love for his Like Water for Chocolate, which has "Nag Champa (Afrodisiac For the World)", quite possibly the sexiest hip-hop beat ever (the homophobic line "It's rumors of gay MC's / just don't come around me wit it / you still rockin hickies, don't let me find out he did it" is kind of a downer though), and One Day It'll All Make Sense, a vinyl copy I have locked in the archives—i.e. my parents' attic—this sentence being already too long, requiring me to mercifully end it with a period. John also reviews Nikka Costa's can'tneverdidnothin', giving it the music reviewer's equivalent of the geek's +1, after my already having heard her archived set on KEXP.

That's not the part of his set of reviews that made my eyes wide open: “Next week, Universal Records will be releasing a Deluxe Edition of one of the best albums released in the 1990’s, period. It is DJ Shadow’s Endtroducing, and it comes out as 2CD set, with the second disc containing remixes, along with previously unreleased demos and alternate takes. While the album doesn’t celebrate its proper 10th anniversary until next year, it is an album that continues to be talked about, debated, ridiculed, praised, blasted, and set as an example, especially when it comes to sample-based music. It is very much a hip-hop album, but not in the way most people are accustomed to. If you’ve been curious about it, but hesitated in picking it up, you can pick up the new version next week Tuesday.”

I've been looking for an excuse to buy the album again, as the old excuse, that it was scratched from abuse after playing many hundreds of times, Endtroducing... being my favourite album of all time, was no longer valid after copying the album to my laptop. A pretty common ploy to get people to buy the same album over again is to re-release it as a double album. It already worked on me.

Article in SF Weekly about Quannum, Bay Area hiphop collective featuring DJ Shadow, Blackalicious and my favourite, Lyrics Born »

(I say my favourite even though I don't own either of his albums. Some fan I am!)
Syndicate content