Harold Bloom on his hero: “Shakespeare is so comprehensive and huge a consciousness that he's inclusive not just of the Western tradition. Students and visiting scholars and friends who travel, people from all over the world, have told me about productions of Shakespeare in Indonesia, Japan, Bulgaria, and various African nations by no means Anglophonic. They tell me that the audiences, even when they are not themselves highly literate, are transfixed, because they somehow believe that Shakepeare has put them, their relatives, and their friends all upon the stage.”
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