The somewhat recent release of the Situationist iPhone app, which encourages nearby strangers to playfully interact, sparked a revisiting of Social Acupuncture by Darren O'Donnell. And there it is, on page 79, my first introduction to the Situationism movement. Here's the paragraph in question from Social Acupuncture:
Art's drift out of the field of representation and its move into relational forms, as well as the ever-increasing economic expediency of culture in the so-called creative economies described by [Richard] Florida and others, have created a proliferation of avenues through which to distribute artistry. The Situationists may have had some fantasies about the liberating potential of art as an everyday lived experience, where all moments of one's life become a creative opportunity; now we have the concomitant penetration of every moment by the potential to create, and in turn, to work. Hardt and Negri point out that capitalism is always innovating in response to resistance against it. The freeing of labour from the Fordist regime of the factory floor was imagined, at first, to be a positive movement, but capitalism easily incorporated these innovations. The idea of working from home was once an appealing notion, but now it brings with it the opportunity to never escape work, to field emails at all hours, to be lured to the humming for just another minute or two of labour.
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